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DateLecture
08 April 2019Power, Politics and a Country Church
11 March 2019A Day in the Life of a Picture Restorer
11 February 2019The Arts and Crafts of Kashmir
14 January 2019Shaken by an Earthquake - Igor Stravinsky, The Ballets Russes and The Rite of Spring
10 December 2018The role of the Arts in the cycle of Crime, Prison and Reoffending
12 November 2018From Sculpture to Soup Spoon: Contemporary Silver
08 October 2018The sublime in the everyday: Johannes Vermeer 1632-1675 and the Delft School of Painting
09 July 2018The Glasgow Girls: Women Artists in Art & Design in Glasgow 1890-1920
11 June 2018The Book as Art: Form and Function
14 May 2018"A Truly Cultured Woman is as rare as the Phoenix": the Life & Work of Isabella D'Este
09 April 2018The Genius of the Place: 400 years of Garden Design in the heart of Oxford
27 March 2018Michelangelo: Paper, Stone and Flesh
12 March 2018Banks, Burgundy & Piracy: the 15th Century painters of Bruges
12 February 2018The Bronzes of Ife & Benin and a Historical Review of the art and sculpture of Nigeria
08 January 2018Stories from the V&A: World’s Greatest Museum of Decorative Art
11 December 2017Wonder Workers and the Art of Illusion
13 November 2017Coventry Cathedral: Icon & Inspiration
09 October 2017Children's Book Illustration
10 July 2017From Bronzes to Banksy: An Armchair Tour of Public and Street Art
12 June 2017Dale Chihuly: the World’s Foremost Glass Artist
08 May 2017From Encaustic to Acrylic: How Paint Made Art
10 April 2017A Highland Thing? 18th to 20th Century Scottish Art (Please note change of lecture title)
13 March 2017Geometric Joys: Art Deco (c.1920 – 1939)
13 February 2017Tapestry: the Ultimate Wall Decoration
09 January 2017"The Collections of Napoleon and Josephine at Malmaison: an insight into one of history’s most famous couples"
12 December 2016"A Child of 6 could do it!" A Cartoonist's View of Art
14 November 2016Russian Art: from the Icon to the Avant Garde
10 October 2016A Provocative Beauty: the Art of Grayson Perry
11 July 2016Romancing the Rails : British Railway Posters - On Track with the World's Best
13 June 2016When Britain clicked: Fab Photographs from the Swinging Sixties
09 May 2016Carl & Karin Larsson and the IKEA Effect
11 April 2016Dürer: The Italian & Northern Renaissance - the relationship between Italian art, Dürer and the Northern Artists
21 March 2016The Architecture of Oxford University
08 February 2016Mars and the Muses: the Renaissance Art of Armour
11 January 2016Searching for Arcadia: the Life, Times and Art of John Craxton
14 December 2015Love and Loss: the story of Orpheus & Eurydice in art and music
09 November 2015Dresden Today – Art and Architecture
12 October 2015Painting Normandy: Turner, Bonington and Others
13 July 2015The Phoenix at the Fall of Empire: Three Empresses of China and the Fate of the Imperial Art Collection
08 June 2015The Huguenots of Spitalfields
11 May 2015Thomas Heatherwick: ‘The Leonardo da Vinci of our times' (Terence Conran)
13 April 2015Marianne North: botanic Artist at Kew
09 March 2015Temples, Tombs, Treasures: in search of the Queen of Sheba
09 February 2015St. Pancras and Friends
12 January 2015The Drama behind the Taj Mahal
08 December 2014The Queen, the Prince & the Artists
10 November 2014Kicking & Screaming: a brief History of post war British Art
13 October 2014Light & Colour: the American Impressionists

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Power, Politics and a Country Church Jonathan Meyer Monday 08 April 2019

An account of how the Duke and Duchess of Suffolk created a chantry trust with the blessing of the King Henry VI. It will look at the way in which they reordered an Oxfordshire church and modelled it on the Suffolk church of Wingfield, built a school and almshouses and an extraordinary palace, favoured by Henry VII and Henry VIII. The lecture will look at them in a historical context and in particular how they sought favour, power and influence. It will discuss the wonderful late medieval alabaster tomb of Alice with its rare cadaver figure, thought by many to be the best example of its kind in Europe. 

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Jonathan graduated from Oxford University with a degree in Theology, and has worked for Bonhams, Sotheby's and the Fine Art Auction Group; also headed up the 19th Century Furniture Department for Sotheby's in Europe. Has lectured in America, Singapore and Taiwan and written numerous articles, including contributions to British Furniture 1600-2000 (2005), and published Great Exhibitions: London, New York, Paris and Philadelphia, 1851-1900 (2006). He is a fellow and past chairman of the Royal Institution of Chartered Surveyors Fine Arts and Antiques Faculty. He now runs his own valuation and consultancy business and also works part time as a priest in the Anglican Church.